By Samuelle Jagonio || Illustration by Mavi Hipe
There was a knock at the door.
I remember it clearly—the way it cut through the faint hum of Bandila news playing on our old TV. I was tucked in bed, pretending to be asleep while my daddy-lo watched the evening news. That was our quiet ritual before sleep: me, half-awake under the blanket; him, half-listening to the anchors’ tired voices, sighing every now and then like the world had just disappointed him again.
Then came the second knock—louder, faster, almost desperate.
Daddy-lo, half-asleep and still in his worn sando, shuffled towards the noise, grumbling to himself. When he pulled the door open, what greeted him was not a poor, innocent neighbor in need of help, but the cool midnight air and the smell of rain-soaked soil. No one was there. Only the hiss of wind through the trees and the faint licking of a burning flame in the distance.
Then came the yelling, the trembling of the ground as neighbors rushed down the muddy road clutching their children and trudging their belongings. “The hospital,” one cried, catching the bewildered look on my lolo’s face, “It’s burning!” The sky still rumbled from the storm that had passed hours before, and the air lingered with the smell of ash, salt, and something else—something foul that clung to the air.
By dawn, the ashes had settled. Some swore it was the work of a sigben, a creature said to linger by the dead and dying, and what better place to feed on the scent of suffering than in a hospital? Others whispered of curses, of the storm as a sign that something evil had been unleashed upon us all.
The truth, however, was more mundane, more monstrous in its simplicity: the hospital was built on lies and cheap cement—hollow blocks and hollow promises held up a structure meant to heal. Corners were cut, funds disappeared, and years later, people still chose to believe in creatures rather than corruption. The sigben and other mythical creatures became the scapegoat for every tragedy, while the true monster—one with a name, an office, and a practiced smile—walked free among us. After all, it’s easier to fear a myth than to confront a man in a suit.
Now, a decade of silence later, the true horror has stepped into the light. The culprit, a well-loved politician with a polished smile—now in even more polished handcuffs—was arrested for pocketing the funds meant for the hospital, the community’s foundation. The city buzzed with disbelief, as if the truth itself was yet another ghost story.
This Halloween, we’re reminded that the real horror isn’t hiding in haunted houses but in the seats of our government. They smile for cameras, suck the blood of public funds, and vanish into the night when accountability comes knocking. The sigben of today wear ostentatious, thickly-labeled perfume instead of the creature’s stench, but their odor is just as nauseating—they reek of greed, deceit, and apathy. At least the mythical beast had the shame to hide between its hind legs; our leaders, it seems, do not. The true horrors don’t come out only at night—they clock in at nine, swear oaths at noon, and sign budgets at three. And we, the people, too often look away, choosing silence over confrontation, comfort over courage.
Until now.
There is a knock on the door.
The same hollow sound, patient this time. No longer a warning, but an invitation: a chance to open the door and see the truth standing there unmasked. The monsters we fear are born not out of superstition but of our silence, and the real horror is what we allow to thrive when we pretend to look away.










